The works were made with fragments of engravings made in different techniques and printed on cotton paper, to later be cut out and finely reconstructed on a paper support. The traditional engraving technique and collage come together and dissolve in a single composition, thus generating a unique piece, which essentially becomes labyrinths or mental maps that treasure and protect sensations of transformation and emotional discharge.
This exercise has allowed me to make visible the potential of art as a purifying act that generates a confrontation with our memory, stigmatizes and reactivates our resilience from a philosophy of transformation and detachment.