Filatova Natalia

“Dot” Series
“Dot” Series 2024, recycled paper, print, 20x20 cm (each work)
About the artwork

“Dot” Series — home performance photodocumentation

This series was inspired by the works of Sengai Gibon, an artist and a Japanese Buddhist monk of the Rinzai school. I decided not only to visualize my interpretation of the painting Circle, Triangle, and Square using instant photographs, but to literally live through it.

The minimalist work of the artist is also known in Europe as The Universe, meaning all that exists. The symbols are interpreted as representations of water — the circle, fire — the triangle, and earth — the square. This was Sengai Gibon’s vision of the universe. This painting prompts me to reflect on what a person truly needs to exist. What do I personally need to exist?

Part one, last and only: being

Over the last 10 years, since leaving Donetsk, I have had to move into many apartments, none of which became a home, so moving into a new rental space has become a routine I am used to.

This time, I lived for 2 months in an entirely empty space without excess belongings — only the essentials: access to water, a bathroom, a table and laptop for work, and two sets of clothes. I documented this experience of giving up familiar things on Polaroid, and later printed the photos on recycled paper with seeds to remind myself that any difficulties, real or imagined, exist only in our minds, and everything we truly need for life is already within us.

After two weeks, I realized that comfort from most things we are used to is purely symbolic. I didn’t miss the bed itself, but the space where it should be, defining the rest area. So I brought home a few items — a stone instead of a pillow, and marked the rest area with branches I gathered in the park. I placed one of them in water, and after a month, it blossomed.

Natalia Filatova

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Filatova Natalia
Date of birth:
Place of residence: Donetsk, Kharkiv, Lviv

Natalia Filatova was born in Donetsk, Ukraine.

She graduated from Vasyl Stus Donetsk National University, majoring in journalism.

In 2014, she moved to Kharkiv, and now she lives and works in Lviv.

Since 2011, she has worked with Polaroid and Instax instant printing cameras as well as alternative printing methods.

She is a participant in numerous Ukrainian and international group exhibitions dedicated to instant photography. The main themes of her research are the interactions between people, objects, and space.

Natalia’s passion for instant cameras has led to experimentation with various cameraless photography techniques that allow her to create original, sometimes even mystical, works.

Today she uses methods such as the transfer of a photo’s emulsion to another surface (Polaroid emulsion lift) and experiments with the exposure of photos in different liquids (Polaroid soup). The artist also creates abstract polagrams—Polaroid images made by exposing objects on light-sensitive paper.

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